Jo Ernsten

22a

The series that this print is part of has its origins in early scientific/historical woodcuts.  The practice of labelling, documenting and ordering served to tame the strange and the unknown for many a noble or dubious reason.  I am interested in the murky bits that don’t fit the frame in a rationalising process.

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  • Categories: 2004 Artist Profiles
  • Country: New South Wales, Australia
  • Medium: linocut, chine collé

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